![]() He may encounter and disbelieve fabulous forces. The Call To AdventureĪ dramatic incident calls the hero on a dangerous path and leaves the known world behind. Similarly, in Lord of the Rings, we meet Frodo and his friends living a care-free life in the Shire. He is an ordinary man with ordinary problems. In Star Wars, we meet Luke living a bored and isolated life on Tatooine’s backwater desert planet. Here, the reader or viewer meets an uneasy, ordinary person going about their daily lives and sympathizes with the unlikely hero. Let’s dive into this storytelling technique using examples from Star Wars and other popular films. Star Wars is one of the most popular stories of the modern era, but did you know George Lucas guided his story for the first film around using the twelves stages of the Hero’sJourney? It’s usually a cycle, a coming and a returning.”Įssentially, the hero (it could be you or your protagonist) of any story goes on a journey and comes back a changed person. “The person then takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving elixir. “The usual hero adventure begins with someone from whom something has been taken, or who feels there is something lacking in the normal experience available or permitted to the members of society.” In the 1949 book The Hero With a Thousand Faces, scholar Joseph writes about the Hero’s Journey: Although it’s in vogue today, it’s a rather old form of story structure. The Hero’s Journey is a popular storytelling framework used in films like Star Wars, The Matrix, Toy Story, and the recent Marvel superhero films. What The Hero’s Journey Means For Writers.It's also described Santiago, "felt that death was near" (Coelho 71). Having himself dig there for hours and getting beat up was hard on Santiago, but once he knew where the treasure really was, he gained back his confidence and strength. Santiago instantly raised and realized where his treasure was located. But I'm not so stupidĪs to cross an entire desert just because of a recurrent dream" (Coelho 71). Was told that, if I dug at the roots of the sycamore, I would find a hidden treasure. In my dream, there was a sycamore growing out of the ruins of the sacristy, and I I dreamed that I should travel to the fields of Spain and look for a ruined church where shepherdsĪnd their sheep slept. Two years ago, right here on this spot, I had a recurrent dream, Neither believe in his dream and one of them explains that he had one before where there was treasure under a sycamore tree at a church. Santiago's fun digging session didn't last long and is beaten up by two men for money. This was by far his most dangerous test or crisis he had to face. Santiago is given three days, and on the third, he rebirths himself as the wind to escape from the soldiers proving his power and skill. ![]() On their way to the pyramids, they are taken by soldiers to a prison camp where The Alchemist falsely tells them Santiago can turn himself into the wind to buy them some time. The Alchemist convinces Santiago to leave Fatima and to travel to find his treasure. Santiago tells The Alchemist about his earlier vision with treasure and why he is travelling. This attracts the attention of The Alchemist staying there and him and Santiago start to become companions. He warns the council in charge and they are impressed to find out he was accurate about the attack. Later while staying at the Oasis, Santiago has a vision of an incoming attack from an enemy tribe. ![]() At the oasis Santiago meets a young girl who instantly becomes the love of his life, Fatima. The Alchemist is travelling to Al-Fayoum oasis to meet and learn from a true alchemist. He has all sorts of knowledge and desire to learn how to become an alchemist. Santiago arrives at the caravan and meets The Englishman.
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